Private homeowners would rent rooms to workers as well. Workers who were unable to secure housing often used tents or old railroad cars for shelter. An empty lot next to the shipyard became a trailer camp for employees. Population increases caused housing and food shortages. (Other industries included Block’s Shirt factory, an Ethyl-Dow Chemical plant for aviation gasoline, pulpwood, fertilizer plants, and dairies.) The shipyard became the state’s largest employer. Migrants came for jobs at the shipyard and other defense industries in the area. revived the region’s economy, and led to Wilmington’s title of “The Defense Capital of the State.” The population of Wilmington increased from about 33,000 to 50,000 due to internal migration. As demand increased, so did the number of ships and acreage of the shipyard. Liberty cargo vessels transported vehicles, tanks, ammunition, and other supplies. The first Liberty ship launched just before the attack on Pearl Harbor, on December 6, 1941. The yard, located on the east bank of the Cape Fear River, began to be constructed in February 1941. It was part of the US Government’s World War II Emergency Shipbuilding Program. was founded in 1941 in Wilmington, North Carolina (under the Newport News Shipbuilding and Dry Dock Co). The backwoods slasher The Everglades Killing was retitled Lake Fear 2: The Swamp (2018) by the distributor but is unrelated to this film in any way.Read to Connect Reading 1: Background of NC Shipbuilding Co. The nearest I could compare the film to is a no-budgeted attempt to replicate something like David Lynch’s almost entirely plotless final episode of the original Twin Peaks (1990-1) – the one spent running through the Black Lodge – albeit made by people who haven’t an ounce of Lynch’s talent. The most surreal moment is the scene involving demons engaged in a choreographed dance. There is not even any discernible plot in the latter two thirds of the film – it is just Michael Crum pulling shock effect after shock effect such that everything runs into an incomprehensible mass like a bad nightmare you can’t wake up from. The scenes with the girls investigating the noises, the portal/image projected on the wall and victims being dragged down into a pool of blood in the forest all have an ineptitude of execution. Not long after we arrive at the cabin, the film descends into an absurd horror show. (l to r) Jessica Dawn Willis and Shanon Snedden Not to mention that despite the retitling Lake Fear, there are no lakes anywhere in the film. Even the cabin in the woods is not a cabin in the woods but a farmhouse in the middle of an open field. There is one scene that has been ludicrously contrived for the sole purpose of having the four girls strip to their underwear in order to wade across a creek, while the relatively mundane crossing is absurdly pumped into a big drama with the addition of a ridiculously hyped musical score and really fake fog blowing across. The efforts show through with painful regard at times. We even get homage paid to Sam Raimi’s film in one scene with the playing of tape recordings from an academic who was researching the area. Michael Crum draws a good deal upon what has gone before – in particular, The Evil Dead (1981). The cabin in the woods plot is a well overused one in horror cinema. It was retitled by the distributor as Lake Fear for wider release. Cypress Creek was made on a budget of reportedly only $8000. Subsequent to Lake Fear, he made the horror films Anna (2017), Fall from Grace (2017) and Anna 2 (2019). Crum had previously made the micro-budgeted superhero web series Allegiance of Powers (2012-3) and subsequent to this conducted a film spinoff Allegiance of Powers (2016). Lake Fear/Cypress Creek was the directorial debut of Michael Crum, a young filmmaker based in Dallas, Texas.
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